We are an independent publisher passionate about print and inspired by the beauty found in marginal spaces, subcultures, and liminal urban worlds—with a particular focus on Japanese underground culture.
Through our publications, we aim to give space and voice to those living at the edges of the mainstream—those who challenge, question, and create. At heart, we seek the sublime in what society often overlooks—amplifying the voices, bodies, and spaces that defy convention and invite deeper attention.
We produce limited-edition periodicals, texts, and selected art and photobooks, and welcome collaborations with artists whose work resonates with our vision.
Our publishing practice emerges from two distinct yet deeply connected approaches to art, embodiment, and cultural inquiry.
Alexander Ma has a background in photography, with a long-standing fascination with Japanese culture and aesthetics. His work is drawn to beauty beyond conventional frames—in decay, patina, and the quiet shadows of liminal spaces.
As a publisher, he brings this sensibility into print, creating publications that explore hidden cultural worlds and forms of human expression beyond conventional narratives. He is deeply committed to print and the analog, with a particular love for editions made with intention.
Natasha NawaTaNeko is a somatic artist whose work centres on embodiment and felt experience. She explores marginal spaces where identity, intimacy, and expression resist fixed definitions. Her work is a call to reclaim intimacy, beauty, and power on one’s own terms, through attention to the body as a site of knowledge and agency.
A bookworm at heart, Natasha uses print as a space for articulation and transmission.
Together, through our publications, we aim to give space and voice to those living at the edges of the mainstream—those who challenge, question, and create. At heart, we seek the sublime in what society often overlooks, amplifying voices, bodies, and spaces that defy convention and invite deeper attention.
We proudly display former issues, that were produced by the KSB collective between 2019 and 2024. They all are out of print. We will not re-print nor publish the content online.